"Maria Teresa's Farewell - Bonus Track" by Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel, Pedro Eustache was released on January 1, 2014. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Liberator / Libertador (Original Motion Picture Soundtrack)". In this album, this song's track order is #18. Based on our statistics, Maria Teresa's Farewell - Bonus Track's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Maria Teresa's Farewell - Bonus Track by Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel, Pedro Eustache having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Gerettet ist das edle Glied | Gustav Mahler, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | B Major | 3 | 1B | 121 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
In Autumn, Op.11 | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 1 | 8A | 109 BPM | ||
Die Walküre: Einleitung. Ritt der Walküren | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | G Major | 4 | 9B | 96 BPM | ||
The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM |
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