Peter Schmalfuss's 'Suite Bergamasque: III. Clair de lune' came out on 1990. With this song being about 5 minutes long, at 5:12, "Suite Bergamasque: III. Clair de lune" by Peter Schmalfuss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Peter Schmalfuss, Vienna Radio Symphony Orchestra, Milan Horvath's "Music For The Millions Vol. 6 - Debussy / De Falla" album is number 3 out of 12. On top of that, Germany appears to be the country where this track was created. Suite Bergamasque: III. Clair de lune is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite Bergamasque: III. Clair de lune by Peter Schmalfuss to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in D Minor, Op. 75: I. Allegro agitato | Camille Saint-Saëns, Joshua Bell, Jeremy Denk | D Minor | 1 | 7A | 102 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Joshua Bell, Cleveland Orchestra, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 103 BPM | ||
Klavierkonzert Nr. 4 G-Dur op. 58 - III. Rondo. Vivace | Czech Symphony Orchestra, Peter Schmalfuss, Jirí Malát | G Major | 1 | 9B | 133 BPM | ||
Liszt: Consolation No.3 in D Flat major | Daniel Pollack | D♭ Major | 0 | 3B | 74 BPM | ||
" Rêves " ohne op. 6: La Fete des paysans bohémiens | Bedřich Smetana, Peter Schmalfuss | E♭ Major | 2 | 5B | 115 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | E Minor | 0 | 9A | 139 BPM | ||
Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM |
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