"Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86" by Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker was released on August 1, 2005. Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 appears to be safe for all ages as it is not explicit. The song is number 1 out of 12 in Debussy: Orchestral Works by Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker. Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 by Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Orchestre National De Lyon, Jun Markl | A♭ Minor | 0 | 1A | 143 BPM | ||
Piano Quintet in E flat, Op. 44: 2. In modo d'una marcia (Un poco largamente) | Robert Schumann, Menahem Pressler, Emerson String Quartet | F Minor | 0 | 4A | 94 BPM | ||
Scheherazade, Op. 35: II. Lento | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Stravinsky: Symphony in C: II. Larghetto concertante | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 104 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe | A Minor | 3 | 8A | 121 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim | A Major | 4 | 11B | 148 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM |
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