Leopold Mozart, Wolfgang Amadeus Mozart, Will Quadflieg, Bach-Orchester Berlin, Carl Gorvin, Karl Steins, Karl Leister, Gerd Seifert, Günter Piesk, Berliner Philharmoniker, Karl Böhm's '3. Geburt und Kindheit' came out on January 1, 1982. Since 3. Geburt und Kindheit is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wir entdecken Komponisten: Wolfgang Amadeus Mozart – Das Wunderkind by Wolfgang Amadeus Mozart, Will Quadflieg. The song's track number on the album is #3 out of 14 tracks. In terms of popularity, 3. Geburt und Kindheit is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since 3. Geburt und Kindheit by Leopold Mozart, Wolfgang Amadeus Mozart, Will Quadflieg, Bach-Orchester Berlin, Carl Gorvin, Karl Steins, Karl Leister, Gerd Seifert, Günter Piesk, Berliner Philharmoniker, Karl Böhm has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 3. Geburt und Kindheit being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Solemnis: V. Quoniam tu solus Sanctus | Leopold Mozart, Sophie Rennert, Das Vokalprojekt, Bayerische Kammerphilharmonie, Alessandro De Marchi | C Major | 1 | 8B | 96 BPM | ||
Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | F Major | 1 | 7B | 123 BPM | ||
Overture in D Major, Op. 8, No. 6: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 149 BPM | ||
Overture in D Major, Op. 8, No. 4: II. Un poco andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 0 | 9B | 165 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Festa no Palácio das Fadas | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 124 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM |
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