"Can lo boschatges es floritz - Melody borrowed from Bernart’s En consirer et en esmai" by Bernart de Ventadorn, Concordian Dawn, Christopher Preston Thompson, Clifton Massey, Niccolo Seligmann was released on October 7, 2023. Can lo boschatges es floritz - Melody borrowed from Bernart’s En consirer et en esmai appears to be safe for all ages as it is not explicit. The track order of this song in Concordian Dawn, Christopher Preston Thompson's "Medieval Song from Aristotle to Opera (Extended Version)" album is number 8 out of 20. Can lo boschatges es floritz - Melody borrowed from Bernart’s En consirer et en esmai is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Can lo boschatges es floritz - Melody borrowed from Bernart’s En consirer et en esmai by Bernart de Ventadorn, Concordian Dawn, Christopher Preston Thompson, Clifton Massey, Niccolo Seligmann to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Greyner, Zanner | Piffaro | A Major | 1 | 11B | 132 BPM | ||
Cantaben els osells | Ramon Llull, Maria Lafitte, Unicorn Ensemble, Oni Wytars Ensemble, Michael Posch | A Minor | 4 | 8A | 167 BPM | ||
Banquet For Shylock (Tourdion) [The Merchant of Venice] | Harvey Brough, Jeremy West, Pamela Thorby, Elizabeth Kenny, Clara Sanabras | D Minor | 2 | 7A | 146 BPM | ||
Quan vei L'alauzeta | Bernard de Ventadour, La Camerata de Paris | G Major | 0 | 9B | 68 BPM | ||
Nunc gaudeant materna viscera (Antiphona) | Hildegard von Bingen, La Reverdie | D Major | 1 | 10B | 72 BPM | ||
Ara no vei luzir soleth | Bernart de Ventadorn, Martin Best | E Minor | 1 | 9A | 124 BPM | ||
En chantan | Folquet de Marselha, Bernart de Ventadorn, Gaucelm Faidit, Guiraudo lo Ros, Peire Vidal, Peirol Peirol, I Madrigalisti di Genova, Leopoldo Gamberini | A♭ Minor | 1 | 1A | 107 BPM | ||
Tant m'abellis l'amoros pessamens | Folquet de Marselha, Sequentia, Barbara Thornton, Benjamin Bagby | G Minor | 0 | 6A | 82 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM |
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