Camille Saint-Saëns, Peter Phillips's 'Rhapsodie D' Auvergne, Op. 73 in C Major - Welte-Mignon 800' came out on April 2, 2024. Since Rhapsodie D' Auvergne, Op. 73 in C Major - Welte-Mignon 800 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ignacy Jan Paderewski, Maurice Dambois, Frédéric Chopin, Franz Liszt, Camille Saint-Saëns's "Intermezzo. Chopin, Liszt & Saint-Saëns in Time" album is number 19 out of 20. On top of that, Germany appears to be the country where this track was created. Rhapsodie D' Auvergne, Op. 73 in C Major - Welte-Mignon 800 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsodie D' Auvergne, Op. 73 in C Major - Welte-Mignon 800 by Camille Saint-Saëns, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Academy Of London, Anton Nel, Keith Snell, Robert Bailey, Richard Stamp | G Major | 0 | 9B | 175 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and guitar) | Anonymous , Camille Saint-Saëns, Claremont Duo | G Minor | 2 | 6A | 122 BPM | ||
Carnival of the Animals: XIII. The Swan (arr. for violin and piano) | Anonymous, Camille Saint-Saëns, Matthew Trusler, Alexander Taylor | G Major | 1 | 9B | 84 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |
Section: 0.7127645015716553
End: 0.717400312423706