"Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): II. Sed tu Domine" by William Byrd, Owain Park, The Gesualdo Six was released on June 2, 2023. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 29 in Byrd: Mass for Five Voices; Ave verum corpus; Lamentations & Other Works by William Byrd, The Gesualdo Six, Owain Park. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): II. Sed tu Domine's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): II. Sed tu Domine by William Byrd, Owain Park, The Gesualdo Six is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Josquin: Missa L'homme Armé Super Voces Musicales - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 170 BPM | ||
Three Whitman Settings: 3. The Last Invocation | The Singers - Minnesota Choral Artists | G Minor | 1 | 6A | 136 BPM | ||
Messa a quattro voci, SV 190: IV. Sanctus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Pie Jesu, pastor alme | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Aimè, ch'io moro: Aime, ch'io moro | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | D Major | 1 | 10B | 93 BPM | ||
De lamentatione Jeremiae prophetae, T. 171 "Lamentations": I. De lamentatione Jeremiae prophetae | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
Ha di serp'il velen, di tigr'il morso | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | A Minor | 6 | 8A | 100 BPM | ||
Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
Byrd: Ne Irascaris, Domine - 3. Sion Deserta | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 78 BPM | ||
Burial Sentences: IV. Man that is Born of a Woman | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | E♭ Major | 1 | 5B | 101 BPM |
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