Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold's 'Aimè, ch'io moro: Aime, ch'io moro' came out on February 1, 2002. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vergine bella - Italian Renaissance Music by Carolyn Sampson, Clare Wilkinson, Julian Podger, Robert Meunier, Guy Ross, Tessa Bonner, James Gilchrist, Jonathan Arnold. The song's track number on the album is #3 out of 20 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Aimè, ch'io moro: Aime, ch'io moro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aimè, ch'io moro: Aime, ch'io moro by Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aimè, ch'io moro: Aime, ch'io moro being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Recueil de plusieurs belles pièces de simphonies: Bransle de Mr de Luly / Bransle guay / Bransle à mener | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Ave victorioso e sancto legno | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | C Major | 1 | 8B | 163 BPM | ||
Vos me matastes | Miguel de Fuenllana, Shirley Rumsey | D Minor | 0 | 7A | 112 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
De Beata Marie [Virginis] I: Kyrie | Giovanni Pierluigi da Palestrina, Michel Van Goethem, Renzo Bez, Vincenzo di Donato, Furio Zanasi, Alessandro Carmignani, Sergio Foresti, Liuwe Tamminga, Sergio Vartolo | B Major | 2 | 1B | 132 BPM | ||
So ben mi chi ha bon tempo | Cesare Negri, Baltimore Consort | G Minor | 1 | 6A | 130 BPM | ||
Dances: Galliard [22] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | F Major | 1 | 7B | 129 BPM | ||
Pasión: Humiliávit. Bajo Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Kemp’s Jig | Baltimore Consort | B♭ Major | 0 | 6B | 77 BPM |
Section: 0.6264376640319824
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