"Etudes-Tableaux, Op. 33, No. 7 in G Minor" by Hélène Grimaud was released on January 1, 2010. The duration of Etudes-Tableaux, Op. 33, No. 7 in G Minor is about 3 minutes long, at 3:17. Based on our data, "Etudes-Tableaux, Op. 33, No. 7 in G Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Rachmaninoff: Sonata No. 2, Etudes-Tableaux, Op. 33 & Others". In this album, this song's track order is #10. Etudes-Tableaux, Op. 33, No. 7 in G Minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes-Tableaux, Op. 33, No. 7 in G Minor by Hélène Grimaud having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Sonata for Cello and Piano, Op. 40: III. Largo | Dmitri Shostakovich, Sol Gabetta, Hélène Grimaud | C Major | 0 | 8B | 70 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai - Edit | Maurice Ravel, Alicia de Larrocha, London Philharmonic Orchestra, Lawrence Foster | E Major | 0 | 12B | 69 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
6 Romances sans paroles, Op. 76: No. 1. Souvenance | Cécile Chaminade, Cindy Lin | E Minor | 1 | 9A | 65 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Piano Concerto No. 19 in F Major, K. 459: III. Allegro assai - Live At Prinzregententheater, Munich / 2011 | Wolfgang Amadeus Mozart, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | F Major | 3 | 7B | 81 BPM | ||
Piano Sonata No. 2 in B Flat Minor, Op. 36: I. Allegro agitato | Sergei Rachmaninoff, Hélène Grimaud | B♭ Minor | 1 | 3A | 96 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM |
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