"Il Sansone (Oratorio in due canti), Canto Primo: Così que Sol, che i gloriosi rai (Testo)" by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis was released on 2000. With Il Sansone (Oratorio in due canti), Canto Primo: Così que Sol, che i gloriosi rai (Testo) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. In terms of popularity, Il Sansone (Oratorio in due canti), Canto Primo: Così que Sol, che i gloriosi rai (Testo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Primo: Così que Sol, che i gloriosi rai (Testo) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Esti dal - Nachtlied | Klaus-Martin Bresgott, Zoltán Kodály, Athesinus Consort Berlin, Arno Schneider, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Stefan Quirin Drexlmeier | F Major | 0 | 7B | 130 BPM | ||
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Giga | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
Sonata for Violoncello and Continuo in A Minor, RV 43: III. Largo | Antonio Vivaldi, Josetxu Obregon, La Ritirata | D Major | 1 | 10B | 115 BPM | ||
Canarios. Tablature Di Chitarrone Livre 4 | Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Adagio in D Minor, BWV 974 (after Alessandro Marcello's Concerto for Oboe and Strings) | Johann Sebastian Bach, Ksenija Sidorova | D Minor | 0 | 7A | 132 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Cappellini: Raccolta di Ariette: Chi vuol ch’il cor gioisca | Pietro Paolo Cappellini, Jakub Józef Orliński, Il Pomo D'oro | F Minor | 1 | 4A | 166 BPM |
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