Celebration (after Billy's capture) from Billy the Kid - Excerpt - Aaron Copland, London Symphony Orchestra Information

Acousticness: 76%
Danceability: 39%
Energy: 41%
Instrumentalness: 89%
Liveness: 9%
Loudness: 71%
Speechiness: 12%
Valence: 60%
Popularity: 5%
Loudness: -17.3 dB

Summary

Aaron Copland, London Symphony Orchestra made "Celebration (after Billy's capture) from Billy the Kid - Excerpt" available on 1963. The duration of Celebration (after Billy's capture) from Billy the Kid - Excerpt is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Celebration (after Billy's capture) from Billy the Kid - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Celebration (after Billy's capture) from Billy the Kid - Excerpt is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Celebration (after Billy's capture) from Billy the Kid - Excerpt BPM

The tempo marking of Celebration (after Billy's capture) from Billy the Kid - Excerpt by Aaron Copland, London Symphony Orchestra is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Celebration (after Billy's capture) from Billy the Kid - Excerpt Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

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Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !"	Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker	E♭ Major	4	5B	80 BPM
Appalachian Spring: II. Allegro	Aaron Copland, London Symphony Orchestra	F Major	1	7B	147 BPM
Symphony No. 1 in D Major "Titan": Ia. Langsam, schleppend	Gustav Mahler, Leonard Bernstein, New York Philharmonic	D Minor	0	7A	74 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	C Major	1	8B	49 BPM
African Suite: V. Akinla: Allegro non troppo	Fela Sowande, Chicago Sinfonietta, Paul Freeman	C Major	0	8B	130 BPM
Music for the Royal Fireworks, HWV 351: IV. La rejouissance	George Frideric Handel, Le Concert Spirituel, Herve Niquet	D♭ Major	4	3B	107 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto	Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko	D Major	2	10B	105 BPM

ISRC: USSM10400551
Label: L-M Records/RCA Records

Section: 0.8950307369232178

End: 0.9011135101318359