"Appalachian Spring: II. Allegro" by Aaron Copland, London Symphony Orchestra was released on 1963. The duration of Appalachian Spring: II. Allegro is about 3 minutes long, at 3:03. Based on our data, "Appalachian Spring: II. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Appalachian Spring: II. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: II. Allegro by Aaron Copland, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato | Ralph Vaughan Williams, André Previn, London Symphony Orchestra | B♭ Minor | 2 | 3A | 105 BPM | ||
Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | C Major | 0 | 8B | 71 BPM | ||
Adams: Short Ride in a Fast Machine | John Adams, San Francisco Symphony, Michael Tilson Thomas | E Minor | 6 | 9A | 130 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante | Anton Nanut, Slovenian Symphony Orchestra | E♭ Major | 1 | 5B | 138 BPM | ||
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM |
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