- BPM
- 169
- Key
- C Major
- Camelot
- 8B
17. Oh fool, that flee-est My hallow'd joys! - Arthur Sullivan, Peggy Ann Jones, Lyndsie Holland, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash Information
- Acousticness
- 98%
- Danceability
- 35%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 51%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 33%
- Popularity
- 13%
- Loudness
- -18.315 dB
Summary
Arthur Sullivan, Peggy Ann Jones, Lyndsie Holland, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash's '17. Oh fool, that flee-est My hallow'd joys!' came out on January 1, 1973. The duration of 17. Oh fool, that flee-est My hallow'd joys! is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 17. Oh fool, that flee-est My hallow'd joys!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 18 out of 37. The popularity of 17. Oh fool, that flee-est My hallow'd joys! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
17. Oh fool, that flee-est My hallow'd joys! BPM
We consider the tempo marking of 17. Oh fool, that flee-est My hallow'd joys! by Arthur Sullivan, Peggy Ann Jones, Lyndsie Holland, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
17. Oh fool, that flee-est My hallow'd joys! Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Let Us Garlands Bring, Op. 18: Come Away, Come Away, Death | Gerald Finzi, Bryn Terfel, Malcolm Martineau | E Minor | 0 | 9A | 90 BPM | |
 | Puccini: La rondine, Act 2: "Fiori freschi!" (Chorus, Georgette, Gabriella, Lolette, Un giovane, Uno studente) | Giacomo Puccini, Monica Bacelli/Patricia Biccire/Patrizia Ciofi/Gareth Roberts/London Voices/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | B♭ Major | 3 | 6B | 120 BPM | |
 | The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM | |
 | Verdi: Aida, Act 1: Nume custode e vindice (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Major | 2 | 5B | 71 BPM | |
 | L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | |
 | Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | |
 | Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | |
 | Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | |
 | Show Boat, Act I, Scene 1: Ol' Man River | Jerome Kern, Bruce Hubbard/Ambrosian Chorus/London Sinfonietta/John McGlinn, John McGlinn, London Sinfonietta | C Major | 1 | 8B | 133 BPM | |
 | Le Comte Ory / Act 1: "Venez amis, retirons-nous" | Gioachino Rossini, Juan Diego Flórez, Marie-Ange Todorovitch, Marina de Liso, Stefania Bonfadelli, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | A Major | 5 | 11B | 128 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7105920314788818
End: 0.7174265384674072