"Let Us Garlands Bring, Op. 18: Come Away, Come Away, Death" by Gerald Finzi, Bryn Terfel, Malcolm Martineau was released on January 1, 1995. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 28 in Bryn Terfel - The Vagabond by Bryn Terfel, Malcolm Martineau. In terms of popularity, Let Us Garlands Bring, Op. 18: Come Away, Come Away, Death is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Let Us Garlands Bring, Op. 18: Come Away, Come Away, Death by Gerald Finzi, Bryn Terfel, Malcolm Martineau is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale / Act 1: "Bella siccome un angelo" | Gaetano Donizetti, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
Yes! Let Me Like a Soldier Fall | William Vincent Wallace, Malcolm Martineau, Thomas Allen | G Minor | 0 | 6A | 95 BPM | ||
Pohádka Srdce, Op. 8: 3. Vecer | Vítězslav Novák, Magdalena Kozená, Malcolm Martineau | D♭ Major | 0 | 3B | 107 BPM | ||
Le nozze di Figaro / Act 3: Recit: "Signor..." | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, John Fisher, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | B Major | 0 | 1B | 75 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
Mandoline | Gabriel Fauré, Joyce DiDonato, Julius Drake | G Major | 0 | 9B | 83 BPM | ||
Let us garlands bring, Op. 18: It was a lover and his lass | Gerald Finzi, Roderick Williams, Iain Burnside | A Major | 1 | 11B | 138 BPM | ||
There Is Nothin' Like a Dame [South Pacific] | Richard Rodgers, Bryn Terfel, English Northern Philharmonia, Paul Daniel, Chorus Of Opera North, Martin Fitzpatrick | C Major | 5 | 8B | 142 BPM | ||
Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" | Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark | C Minor | 3 | 5A | 71 BPM |
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