"Concierto: Tres gráficos para guitarra y orquesta: 1. Gráfico de la farruca y cadencias" by Mauricio Ohana, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos was released on February 5, 2016. Since Concierto: Tres gráficos para guitarra y orquesta: 1. Gráfico de la farruca y cadencias is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 53 in the song's album "The Complete Concerto Recordings". In this album, this song's track order is #24. Concierto: Tres gráficos para guitarra y orquesta: 1. Gráfico de la farruca y cadencias is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concierto: Tres gráficos para guitarra y orquesta: 1. Gráfico de la farruca y cadencias by Mauricio Ohana, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Imaginario popular argentino (Popular Argentine Legends): IV. Velando al angelito (Holding a Wake for the Little Angel) | Marcelo Coronel, Victor Villadangos | A Major | 1 | 11B | 113 BPM | ||
Homenaje a Tarrega | Emilio Pujol, Claudio Marcotulli | D Major | 0 | 10B | 82 BPM | ||
25 Etudes for Guitar, Op. 38: Etude No. 3 in D Minor | Napoléon Coste, Flavio Apro | E Minor | 1 | 9A | 107 BPM | ||
25 Etudes, Op. 38: No. 11 in G Major | Napoléon Coste, Jeffrey McFadden | G Major | 1 | 9B | 101 BPM | ||
Llanto por Ignacio Sanchez Mejias: La corida y la muerte | Mauricio Ohana, Ataúlfo Argenta, Orchestre Des Cento Soli, Bernard Cottret, Denyse Gouarne | G Major | 0 | 9B | 115 BPM | ||
En los trigales | Joaquín Rodrigo, Simon Dinnigan | G Minor | 0 | 6A | 105 BPM | ||
12 Estudos, W235: V. Andantino | Heitor Villa-Lobos, Mickael Viegas | C Major | 1 | 8B | 125 BPM | ||
Homenatge a Mistral: I. Preludi | Matilde Salvador, Dejan Ivanovic | B Minor | 0 | 10A | 140 BPM | ||
Carmen Suite: III. Seguidilla (Arr. W. Kanengiser) | Los Angeles Guitar Quartet | G Major | 1 | 9B | 101 BPM | ||
5 Bagatelles: I. Allegro | William Walton, Ana Vidovic | A Minor | 1 | 8A | 141 BPM |
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