Gustav Mahler, Czech Philharmonic, Semyon Bychkov's 'Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell' came out on September 8, 2023. Since Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Czech Philharmonic, Semyon Bychkov's "Mahler: Symphony No. 1" album is number 2 out of 4. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell by Gustav Mahler, Czech Philharmonic, Semyon Bychkov to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Blut, Walzer, Op. 354 | Johann Strauss II, Semyon Bychkov, Wiener Philharmoniker | C Major | 1 | 8B | 172 BPM | ||
Violin Concerto in D Major: IV. Capriccio | Igor Stravinsky, Isabelle Faust, François-Xavier Roth, Les Siècles | D Major | 2 | 10B | 121 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 4 | 8B | 115 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Yannick Nézet-Séguin, London Philharmonic Orchestra, Sarah Connolly, Toby Spence | F Major | 1 | 7B | 64 BPM | ||
L'Oiseau de feu (1911 Version): XVI. Danse infernale de tous les sujets de Kastchei | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Major | 0 | 6B | 77 BPM | ||
Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 1: Hymnus "Veni creator spiritus": "Imple superna gratia" - Live From Philharmonie, Berlin | Gustav Mahler, Cheryl Studer, Peter Seiffert, Sylvia McNair, Anne Sofie von Otter, Rosemarie Lang, Bryn Terfel, Jan-Hendrik Rootering, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Prague Philharmonic Chorus | A♭ Major | 2 | 4B | 83 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM |
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