- BPM
- 80
- Key
- A♭ Major
- Camelot
- 4B
Die Zauberflöte, K. 620 / Erster Aufzug: "Rüste dich mit Mut und Standhaftigkeit" - Wolfgang Amadeus Mozart, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Fritz Wunderlich Information
- Acousticness
- 72%
- Danceability
- 70%
- Energy
- 19%
- Instrumentalness
- 0%
- Liveness
- 25%
- Loudness
- 61%
- Speechiness
- 76%
- Valence
- 59%
- Popularity
- 11%
- Loudness
- -23.109 dB
Summary
Wolfgang Amadeus Mozart, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Fritz Wunderlich made "Die Zauberflöte, K. 620 / Erster Aufzug: "Rüste dich mit Mut und Standhaftigkeit"" available on January 1, 1964. With Die Zauberflöte, K. 620 / Erster Aufzug: "Rüste dich mit Mut und Standhaftigkeit" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists, Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm's "Mozart: Die Zauberflöte" album is number 7 out of 46. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte, K. 620 / Erster Aufzug: "Rüste dich mit Mut und Standhaftigkeit" is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Die Zauberflöte, K. 620 / Erster Aufzug: "Rüste dich mit Mut und Standhaftigkeit" BPM
We consider the tempo marking of Die Zauberflöte, K. 620 / Erster Aufzug: "Rüste dich mit Mut und Standhaftigkeit" by Wolfgang Amadeus Mozart, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Fritz Wunderlich to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
Die Zauberflöte, K. 620 / Erster Aufzug: "Rüste dich mit Mut und Standhaftigkeit" Key
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Don Giovanni, K. 527: Riposate, vezzose ragazze | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Malcolm King, Teresa Berganza, Lorin Maazel | E♭ Major | 4 | 5B | 141 BPM | |
 | Die Schöpfung, Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: "Nun schwanden vor dem heiligen Strahle" | Franz Joseph Haydn, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | A Major | 2 | 11B | 87 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Cavatina - Se Vuol Ballare, Signor Contino | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Jozsef Mukk, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 1 | 7B | 134 BPM | |
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 4: Recitativo - Hai Gia Vinta Causa! | Donato Di Stefano, Maria Pia Ionata, Patrizia Pace, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | G Major | 2 | 9B | 141 BPM | |
 | Don Giovanni / Act 1: "Giovinette, che fate all'amore" | Wolfgang Amadeus Mozart, Hilde Gueden, Walter Berry, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips | G Major | 4 | 9B | 95 BPM | |
 | Die Zauberflöte, K. 620 / Erster Aufzug: "Bin ich nicht ein Narr" | Wolfgang Amadeus Mozart, Dietrich Fischer-Dieskau, Evelyn Lear | A Major | 2 | 11B | 131 BPM | |
 | Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2f. Gloria: Quoniam | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | |
 | Der Stein der Weisen, Act I: Dialogue (3) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Chris Pedro Trakas, Kevin Deas, Judith Lovat, Paul Austin Kelly | G Major | 3 | 9B | 108 BPM | |
 | Le nozze di Figaro, K. 492, Act I: Duettino. Cinque… dieci… | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Alastair Miles, Nuccia Focile | C Minor | 1 | 5A | 61 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM |
- ISRC
- DEF056430621
- Label
- L-M Records/RCA Records
Section: 0.7162113189697266
End: 0.7206001281738281