Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan's 'Gaîté parisienne: Barcarolle' came out on January 1, 2007. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 14 in Bizet: Suites "Carmen" & "L'Arlésienne" / Offenbach: Barcarolle; Overture "Orpheus in the Underworld" by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Gaîté parisienne: Barcarolle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gaîté parisienne: Barcarolle by Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise | Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch | A Minor | 4 | 8A | 102 BPM | ||
Offenbach: Grand Concerto for Cello in G Major, "Concerto Militaire": II. Andante | Jacques Offenbach, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | E Major | 2 | 12B | 89 BPM | ||
Tales of Hoffman: Barcarolle (Bailey's) | Jacques Offenbach, Bystrik Rezucha, Slowakische Philharmonie | D Major | 2 | 10B | 132 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM |
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