"String Trio in G Major, Op. 9, No. 1: II. Adagio, ma non tanto, e cantabile" by Ludwig van Beethoven, Attila Falvay, János Fejérvári, György Éder was released on January 4, 2011. Since String Trio in G Major, Op. 9, No. 1: II. Adagio, ma non tanto, e cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Beethoven: Complete String Trios, Vol. 2 by Ludwig van Beethoven, Attila Falvay. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, String Trio in G Major, Op. 9, No. 1: II. Adagio, ma non tanto, e cantabile's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Trio in G Major, Op. 9, No. 1: II. Adagio, ma non tanto, e cantabile by Ludwig van Beethoven, Attila Falvay, János Fejérvári, György Éder is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 2 in E Minor, Op. 67: III. Largo | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 81 BPM | ||
2. Andante (Capriccio in B flat) | Johann Sebastian Bach, Friedrich Gulda | F Minor | 2 | 4A | 139 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Concerto for Bassoon, Strings & Continuo in B flat Major, RV 501 "La Notte": II. Presto | Antonio Vivaldi, Peter Whelan, La Serenissima, Adrian Chandler | F Major | 3 | 7B | 100 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Symphony No. 1 in G Minor, Op. 13, "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | C Minor | 0 | 5A | 101 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM |
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