"Concerto for Violin and Orchestra in D Minor, Op. 47: II. Adagio di molto" by Jean Sibelius, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim was released on December 5, 2022. Since Concerto for Violin and Orchestra in D Minor, Op. 47: II. Adagio di molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 120 in the song's album "Sibelius: Essential Recordings". In this album, this song's track order is #83. Furthermore, we believe that the track originated from Germany. The popularity of Concerto for Violin and Orchestra in D Minor, Op. 47: II. Adagio di molto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Violin and Orchestra in D Minor, Op. 47: II. Adagio di molto by Jean Sibelius, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | A Minor | 2 | 8A | 89 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: I. Allegro molto moderato | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | A♭ Major | 0 | 4B | 93 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: III Finale. Allegro molto | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Legende, Op.17: Andante - Allegro moderato - Tempo I | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | G Minor | 1 | 6A | 75 BPM | ||
Holberg Suite, Op. 40: III. Gavotte (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 84 BPM |
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