"Sieben Magnificat Antiphonen: VII. O Immanuel" by Arvo Pärt, South Dakota Chorale, Brian A. Schmidt was released on February 1, 2015. The duration of Sieben Magnificat Antiphonen: VII. O Immanuel is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sieben Magnificat Antiphonen: VII. O Immanuel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Sacred Songs of Life & Love". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Sieben Magnificat Antiphonen: VII. O Immanuel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sieben Magnificat Antiphonen: VII. O Immanuel by Arvo Pärt, South Dakota Chorale, Brian A. Schmidt having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
Lamentate: Lamentabile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | A♭ Minor | 5 | 1A | 135 BPM | ||
Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | B Major | 0 | 1B | 77 BPM | ||
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | G Major | 0 | 9B | 82 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Summer 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
Butterflies | Balanescu Quartet | A♭ Minor | 2 | 1A | 75 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
saman - string quartet version | Ólafur Arnalds | C Minor | 2 | 5A | 88 BPM | ||
Pärt: Tabula Rasa: II. Silentium | Arvo Pärt, Renaud Capuçon, François Sochard, Guillaume Bellom, Orchestre de Chambre de Lausanne | D Minor | 1 | 7A | 78 BPM |
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