"Duo Seraphim Clamabant" by Young Women's Chorus of San Francisco was released on November 12, 2016. The duration of Duo Seraphim Clamabant is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Duo Seraphim Clamabant's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Rejoice!". In this album, this song's track order is #3. Duo Seraphim Clamabant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Duo Seraphim Clamabant by Young Women's Chorus of San Francisco having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
Considering Matthew Shepard: Passion, 29. Pilgrimage | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 96 BPM | ||
The race that long in darkness pined | St Edmundsbury Cathedral Choir, Scott Farrell | E♭ Major | 0 | 5B | 83 BPM | ||
Double, Double Toil and Trouble | Jaakko Mäntyjärvi, William Shakespeare, The Swedish Chamber Choir, Simon Phipps | F♯ Major | 1 | 2B | 91 BPM | ||
Weep, o mine eyes | Chœur de chambre Arthémys | A Minor | 2 | 8A | 69 BPM | ||
Three Madrigals: II. Take, oh, take those lips away | Emma Lou Diemer, Ames Chamber Artists | G Minor | 0 | 6A | 132 BPM | ||
Agnus Dei: Mass in G, Casali | Bonaventure Choir | F♯ Major | 1 | 2B | 72 BPM | ||
Cry Out and Shout | Knut Nystedt, Stella, Solvieg Agren's Chamber Choir, Solvieg Agren | D Minor | 3 | 7A | 85 BPM | ||
Aldrig en Iris | Carl Michael Bellman, Orphei Drängar, Eric Ericson | E Major | 0 | 12B | 104 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 100 BPM |
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