"Passio Domini nostri Jesu Christi secundum Joannem, Scene 10: "Judæi ergo quoniam parasceve erat"" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer had its release date on 2009. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "St John Passion". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Belgium. Passio Domini nostri Jesu Christi secundum Joannem, Scene 10: "Judæi ergo quoniam parasceve erat" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio Domini nostri Jesu Christi secundum Joannem, Scene 10: "Judæi ergo quoniam parasceve erat" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Minor | 1 | 2A | 105 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Les Amants magnifiques: Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 132 BPM | ||
Les Boréades / Act IV: Gavottes pour les Heures et les Zéphirs - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 0 | 3B | 109 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Oft she visits this lone mountain" (Second Woman) - A Dance to entertain Aeneas | Henry Purcell, Emmanuelle Haïm | D♭ Minor | 2 | 12A | 137 BPM | ||
Concerto No. 5 In A Major RV 519: I. Allegro (Vivaldi) | Accademia Bizantina | A♭ Major | 2 | 4B | 131 BPM | ||
L'olimpiade, RV 725: Ne' giorni tuoi felici. Megacle & Aristea, duetto | Antonio Vivaldi, Roberta Invernizzi, Sonia Prina, Concerto Italiano, Rinaldo Alessandrini | G Major | 3 | 9B | 120 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM |