"Radetzky March (Radetzky Marsch), Op. 228" by Vienna Walzer Orchestra was released on 2004. The duration of Radetzky March (Radetzky Marsch), Op. 228 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Radetzky March (Radetzky Marsch), Op. 228's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 17 in Best of Johann Strauss (1991-2001) [Jubileum Edition] by Vienna Walzer Orchestra. In terms of popularity, Radetzky March (Radetzky Marsch), Op. 228 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Radetzky March (Radetzky Marsch), Op. 228 by Vienna Walzer Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
Vagabondages pour flûte et harpe: II. Langen (Hessen): Handkäse mit Musik - Allegretto | Louis Sauter, Claudio Ferrarini | E Minor | 2 | 9A | 68 BPM | ||
Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM | ||
Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 3 | 9B | 126 BPM | ||
Slavonic Dances, Series 2, Op. 72, B. 147: No. 2 in E Minor | Antonín Dvořák, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 1 | 8B | 97 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 3. Romance | Benjamin Britten, Ensemble Allegria | B♭ Major | 2 | 6B | 97 BPM |
Section: 0.6036312580108643
End: 0.6083986759185791