"L'Olimpiade, Act I Scene 1: Aria. "Siam navi all’onde algenti"" by Domenico Cimarosa, Alex Banfield, Christophe Rousset, Les Talens Lyriques was released on May 10, 2024. The duration of L'Olimpiade, Act I Scene 1: Aria. "Siam navi all’onde algenti" is about 3 minutes long, at 3:02. Based on our data, "L'Olimpiade, Act I Scene 1: Aria. "Siam navi all’onde algenti"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 42 in Cimarosa: L'Olimpiade by Domenico Cimarosa, Christophe Rousset, Les Talens Lyriques, Josh Lovell, Rocio Pérez, Marie Lys, Maite Beaumont, Mathilde Ortscheidt, Alex Banfield. Based on our statistics, L'Olimpiade, Act I Scene 1: Aria. "Siam navi all’onde algenti"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Olimpiade, Act I Scene 1: Aria. "Siam navi all’onde algenti" by Domenico Cimarosa, Alex Banfield, Christophe Rousset, Les Talens Lyriques is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il matrimonio segreto / Act 1: Senza tante cerimonie | Domenico Cimarosa, Alberto Rinaldi, Arleen Auger, Julia Varady, Julia Hamari, Ryland Davies, Dietrich Fischer-Dieskau, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 2 | 6B | 158 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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