"The Seven Last Words of Christ, Hob. XX:1a, Op. 51: VIII. Es ist vollbracht: Lento" by Hana Stolfova-Bandova, Peter Mikulas, Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kandlak was released on March 10, 2009. The Seven Last Words of Christ, Hob. XX:1a, Op. 51: VIII. Es ist vollbracht: Lento is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Joseph Haydn: The Essential Works - 200 Year Anniversary Collection" album is number 46 out of 59. The Seven Last Words of Christ, Hob. XX:1a, Op. 51: VIII. Es ist vollbracht: Lento is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seven Last Words of Christ, Hob. XX:1a, Op. 51: VIII. Es ist vollbracht: Lento by Hana Stolfova-Bandova, Peter Mikulas, Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kandlak to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
Couvin, S. 2: Act II Prelude | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 0 | 8B | 167 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
The Other Dimension (Original Motion Picture Soundtrack) | Iron Valkyrie | A Minor | 1 | 8A | 112 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Metropolis: II. Zwischenspiel: Der Tod | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Minor | 5 | 3A | 95 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM |
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