Emmanuel Chabrier, Kurt Ollmann, Steven Blier, New York Festival Of Song made "Lied" available on February 9, 2024. The duration of Lied is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Lied's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Lied and no other songs are present in the album, we classify this track as a single. In terms of popularity, Lied is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Lied by Emmanuel Chabrier, Kurt Ollmann, Steven Blier, New York Festival Of Song to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L'heure espagnole, Comédie en un acte, M.52: "Pardieu, déménageur, vous venez à propos!" (ScèneXXI) | Maurice Ravel, David Wilson-Johnson, Georges Gautier, Kurt Ollmann, Kimberly Barber, London Symphony Orchestra, André Previn | D Major | 1 | 10B | 96 BPM | ||
Ich sehe dich in tausend Bildern, Op.105, No. 1 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | F♯ Minor | 0 | 11A | 72 BPM | ||
Prélude in B-Flat Major, Op. 11, No. 21 - Upright Version | Alexander Scriabin, Julius Asal | G Minor | 1 | 6A | 135 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Bertrand Chamayou | F Minor | 1 | 4A | 63 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Sonata in A Minor: III. Adagio | Henriëtte Bosmans, Molly Gebrian, Danny Holt | F♯ Minor | 4 | 11A | 119 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) | Claude Debussy, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 174 BPM | ||
Suite Pastorale: Suite Pastorale: III. Sous-bois | Emmanuel Chabrier, Les Siècles, François-Xavier Roth | A Major | 7 | 11B | 100 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |
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