On August 6, 2022, the song "Halt im Gedächtnis Jesum Christ, Cantata BWV 67: II. "Mein Jesus ist erstanden"" was released by Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter. The duration of Halt im Gedächtnis Jesum Christ, Cantata BWV 67: II. "Mein Jesus ist erstanden" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Halt im Gedächtnis Jesum Christ, Cantata BWV 67: II. "Mein Jesus ist erstanden"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 224 in the song's album "Summer Feelings with Bach". In this album, this song's track order is #77. Furthermore, we believe that the track originated from Germany. The popularity of Halt im Gedächtnis Jesum Christ, Cantata BWV 67: II. "Mein Jesus ist erstanden" is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Halt im Gedächtnis Jesum Christ, Cantata BWV 67: II. "Mein Jesus ist erstanden" by Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
Nocturne No. 15 In F Minor, Op. 55 No. 1 | Frédéric Chopin, Maurizio Pollini | F Minor | 0 | 4A | 71 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
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