"Rhapsody on a Theme of Paganini, Op. 43: Var. 18" by Sergei Rachmaninoff, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult was released on 1954. The duration of Rhapsody on a Theme of Paganini, Op. 43: Var. 18 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Rhapsody on a Theme of Paganini, Op. 43: Var. 18's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Rhapsody on a Theme of Paganini, Op. 43: Var. 18 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 18 by Sergei Rachmaninoff, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM |
Section: 0.7068579196929932
End: 0.7102274894714355