Johann Sebastian Bach, Igor Levit made "Goldberg Variations, BWV 988: Var. 16 - Ouverture a 1 Clav." available on November 4, 2016. The duration of Goldberg Variations, BWV 988: Var. 16 - Ouverture a 1 Clav. is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Var. 16 - Ouverture a 1 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Igor Levit's "Goldberg Variations - The Goldberg Variations, BWV 988" album is number 17 out of 32. Goldberg Variations, BWV 988: Var. 16 - Ouverture a 1 Clav. is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Goldberg Variations, BWV 988: Var. 16 - Ouverture a 1 Clav. by Johann Sebastian Bach, Igor Levit to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : II. Allemande | Pablo Casals | G Major | 2 | 9B | 108 BPM | ||
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12a: Nicht zu langsam (Contrapunctus 12 Rectus+Inversus) | Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen | D Minor | 3 | 7A | 125 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Suite en La: La Triomphante | Jean-Philippe Rameau, Alexandre Tharaud | E Major | 2 | 12B | 116 BPM | ||
Concerto for Harpsichord, 2 Recorders, Strings, and Continuo No. 6 in F, BWV 1057: 1. -- | Johann Sebastian Bach, András Schiff, Thierry Fischer, Catherine Touraire-Stutz, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | ||
Piano Quintet in E-Flat Major, K. 452: II. Larghetto | Wolfgang Amadeus Mozart, Alfred Brendel, Hungarian Woodwind Quintet | B♭ Minor | 2 | 3A | 104 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM |
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