Wolfgang Amadeus Mozart, Alfred Brendel, Hungarian Woodwind Quintet's 'Piano Quintet in E-Flat Major, K. 452: II. Larghetto' came out on January 1, 2001. Since Piano Quintet in E-Flat Major, K. 452: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Alfred Brendel's "Mozart: Piano Concertos Nos. 19 and 20 & Works for 2 Pianos" album is number 9 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Piano Quintet in E-Flat Major, K. 452: II. Larghetto is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Quintet in E-Flat Major, K. 452: II. Larghetto by Wolfgang Amadeus Mozart, Alfred Brendel, Hungarian Woodwind Quintet to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Lieder ohne Worte, Op.19: No. 2 In A Minor (Andante espressivo), MWV U 80 | Felix Mendelssohn, Daniel Barenboim | A Minor | 0 | 8A | 131 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
A la manière de. . . Chabrier | Maurice Ravel, Werner Haas | C Major | 0 | 8B | 87 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker | E♭ Major | 2 | 5B | 77 BPM |
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