Dame Edna Everage, Melbourne Symphony Orchestra made "Peter and the Wolf, Op. 67: VI. And Now, This is How Things Stood" available on September 12, 1997. With Peter and the Wolf, Op. 67: VI. And Now, This is How Things Stood being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Prokofiev: Peter and the Wolf / Britten: Young Person's Guide To the Orchestra (Children's Classics)". In this album, this song's track order is #6. In terms of popularity, Peter and the Wolf, Op. 67: VI. And Now, This is How Things Stood is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Peter and the Wolf, Op. 67: VI. And Now, This is How Things Stood by Dame Edna Everage, Melbourne Symphony Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM | ||
25 Études faciles et progressives, Op. 100: No. 4, Petite réunion | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
2 Jamaican Pieces: Jamaican Song | Arthur Benjamin, RTE Concert Orchestra, Ernest Tomlinson | E♭ Major | 0 | 5B | 75 BPM | ||
Reisado do pastoreio: III. Batuque | Oscar Lorenzo Fernández, Minas Gerais Philharmonic Orchestra, Fabio Mechetti | F Major | 7 | 7B | 100 BPM | ||
2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
Enigma Variations, Op. 36: Nimrod (Arr. Farrington) | Edward Elgar, Coronation Orchestra, Antonio Pappano | E♭ Major | 1 | 5B | 86 BPM | ||
Fanfare for a Cultural Attache (with Carl Davis Conducting the London Symphony Orchestra and the New Antipodean Singers) - 2009 Remaster | Dame Edna Everage, Carl Davis, London Symphony Orchestra, The New Antipodean Singers | C Major | 9 | 8B | 90 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
HMS Pinafore: When I Was a Lad | Gordon Sandison, New D'Oyly Carte Opera | C Major | 2 | 8B | 133 BPM |
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