Joseph Haydn, René Jacobs, Kammerorchester Basel, Zürcher Sing-Akademie made "Stabat Mater: VII. Eja mater, fons amoris" available on March 17, 2023. The duration of Stabat Mater: VII. Eja mater, fons amoris is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Stabat Mater: VII. Eja mater, fons amoris's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, René Jacobs, Birgitte Christensen, Kristina Hammarström, Steve Davislim, Christian Immler, Kammerorchester Basel, Zürcher Sing-Akademie's "Haydn: Stabat Mater" album is number 7 out of 14. On top of that, Netherlands appears to be the country where this track was created. Stabat Mater: VII. Eja mater, fons amoris is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Stabat Mater: VII. Eja mater, fons amoris by Joseph Haydn, René Jacobs, Kammerorchester Basel, Zürcher Sing-Akademie to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in E-Flat Major, Op. 12: I. Allegro agitato | Johann Nepomuk Hummel, Borodin Trio | B♭ Major | 1 | 6B | 95 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
String Quintet in F Major, Op. 20, No. 3, G. 291: I. Prestissimo | Luigi Boccherini, Quintetto Boccherini | F Major | 2 | 7B | 161 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Oboe Concerto No. 1 in D Minor: II. Grazioso | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | C Major | 0 | 8B | 65 BPM | ||
Robin Adair | Haydn Trio Eisenstadt, Franz Joseph Haydn, Lorna Anderson, Jamie MacDougall | C Major | 1 | 8B | 99 BPM |
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