Giuseppe Torelli, Ostrava Janáček Chamber Orchestra, Ivan Zenaty, František Xaver Thuri made "12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: IV. Allegro" available on January 1, 1993. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 15 in Albioni, Torelli, Pergolesi, Vivaldi: Italian Baroque Violin Concertos by Ivan Zenaty, František Xaver Thuri, Ostrava Janáček Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, 12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: IV. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: IV. Allegro by Giuseppe Torelli, Ostrava Janáček Chamber Orchestra, Ivan Zenaty, František Xaver Thuri is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 3, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 120 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Sinfonia a cinque in D Major, (G. 3): III. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 4 | 10B | 125 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM |
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