- BPM
- 70
- Key
- C Major
- Camelot
- 8B
Suite Mariale, Op. 65: Paraphrase I - Paul Malengreau, Simon Lindley Information
- Acousticness
- 90%
- Danceability
- 16%
- Energy
- 2%
- Instrumentalness
- 4%
- Liveness
- 9%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -24.323 dB
Summary
"Suite Mariale, Op. 65: Paraphrase I" by Paul Malengreau, Simon Lindley was released on June 10, 1992. The duration of Suite Mariale, Op. 65: Paraphrase I is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Suite Mariale, Op. 65: Paraphrase I's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 16 in French Organ Music by Simon Lindley. Suite Mariale, Op. 65: Paraphrase I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite Mariale, Op. 65: Paraphrase I BPM
The tempo marking of Suite Mariale, Op. 65: Paraphrase I by Paul Malengreau, Simon Lindley is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Suite Mariale, Op. 65: Paraphrase I Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | |
 | Rigaudon | André Campra, Douglas Bush, David Brown | A Major | 1 | 11B | 68 BPM | |
 | Saget der Tochter Zion, TWV 1:1235: I. Sonata. Saget der Tochter Zion | Georg Philipp Telemann, Britta Schwarz, Wilfried Jochens, Dirk Schmidt, Magdeburg Chamber Choir, Michaelstein Telemann Chamber Orchestra, Ludger Remy | D♭ Major | 3 | 3B | 83 BPM | |
 | Mens | Chris Dreiser | C Major | 0 | 8B | 177 BPM | |
 | Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | |
 | Stairway to Heaven | Sven-Ingvart Mikkelsen | C Major | 0 | 8B | 73 BPM | |
 | Semele, HWV 58: Where'er You Walk (Arr. for Oboe & Orchestra by John Rutter) | George Frideric Handel, John Rutter, Manchester Camerata | B♭ Major | 1 | 6B | 80 BPM | |
 | 12 Marches héroiques 'Heldenmusik', TWV 50: 31-42 I. Die Würde – La Majesté (Arr. Tine Thing Helseth & Kåre Nordstoga) | Georg Philipp Telemann, Tine Thing Helseth, Kåre Nordstoga | D Major | 2 | 10B | 135 BPM | |
 | Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for organ) | Robert Schumann, Janos Sebestyen | F Major | 0 | 7B | 70 BPM | |
 | Concerto C-Dur: I. Tempo ordinario | Pietro Pellegrini, Annerös Hulliger, Jean-François Michel | G Major | 3 | 9B | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6219701766967773
End: 0.6271367073059082