"Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Cammina adagio e li sorprenderai! (Tonio/Silvio/Nedda/Canio/Beppe)" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti was released on 1979. With this song being about 5 minutes long, at 4:51, "Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Cammina adagio e li sorprenderai! (Tonio/Silvio/Nedda/Canio/Beppe)" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 13 out of 44. Based on our statistics, Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Cammina adagio e li sorprenderai! (Tonio/Silvio/Nedda/Canio/Beppe)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Cammina adagio e li sorprenderai! (Tonio/Silvio/Nedda/Canio/Beppe) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
Pagliacci / Prologue: "Si può? Signore! Signori!" | Ruggero Leoncavallo, Juan Pons, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | D♭ Major | 1 | 3B | 84 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM |
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