"Sonata in E Minor, Op. 5, No. 8 (version for viola da gamba and basso continuo): III. Sarabanda: Largo" by Arcangelo Corelli, Guido Balestracci, Paolo Pandolfo, Luciano Còntini, Gaetano Nasillo, Massimiliano Raschietti was released on October 4, 2011. The duration of Sonata in E Minor, Op. 5, No. 8 (version for viola da gamba and basso continuo): III. Sarabanda: Largo is about 3 minutes long, at 3:06. Based on our data, "Sonata in E Minor, Op. 5, No. 8 (version for viola da gamba and basso continuo): III. Sarabanda: Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 48 in Corelli: Sonate per Viola da Gamba & basso continuo, Op. 5 by Arcangelo Corelli, Guido Balestracci. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Sonata in E Minor, Op. 5, No. 8 (version for viola da gamba and basso continuo): III. Sarabanda: Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in E Minor, Op. 5, No. 8 (version for viola da gamba and basso continuo): III. Sarabanda: Largo by Arcangelo Corelli, Guido Balestracci, Paolo Pandolfo, Luciano Còntini, Gaetano Nasillo, Massimiliano Raschietti is Lento (slowly), since this song has a tempo of 51 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Concerto grosso No. 9 in F Major, Op. 6: III. Corrente (Vivace) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 2 | 12B | 102 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Violin Sonata in E Minor, Op.5 No. 8: I. Preludio (Largo) | Arcangelo Corelli, Enrico Onofri | D Minor | 0 | 7A | 78 BPM |
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