Louis Moreau Gottschalk, Roger Lord made "Pasquinade, Op. 59" available on 2002. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Louis Moreau Gottschalk, Roger Lord's "Gottschalk: Piano Works" album is number 7 out of 16. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Pasquinade, Op. 59 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pasquinade, Op. 59 by Louis Moreau Gottschalk, Roger Lord to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Raymonda, Act III: Variation 4, Raymonda | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Minor | 1 | 7A | 110 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Estampes, L. 100, CD 108: I. Pagodas | Claude Debussy, Jean-Efflam Bavouzet | E♭ Minor | 0 | 2A | 90 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | F Minor | 1 | 4A | 142 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
16 Waltzes, Op. 39: No. 2 in E Major (Version for Piano Duo) | Johannes Brahms, Dinu Lipatti, Nadia Boulanger | E Major | 0 | 12B | 64 BPM | ||
Gottschalk : Souvenir de Porto-Rico Op.31 | Louis Moreau Gottschalk, Noël Lee, Ysabelle Van Wersch-Cot | E♭ Minor | 1 | 2A | 104 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM |
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