Michael Tilson Thomas, Yuja Wang's 'You Come Here Often?' came out on January 13, 2023. With this song being about 5 minutes long, at 4:33, "You Come Here Often?" by Michael Tilson Thomas, Yuja Wang is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Tilson Thomas: You Come Here Often? only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. In terms of popularity, You Come Here Often? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You Come Here Often? by Michael Tilson Thomas, Yuja Wang having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les enfants terribles - Arr. for Piano duet by Michael Riesman: 3. The Somnambulist | Philip Glass, Katia & Marielle Labèque | D Minor | 0 | 7A | 121 BPM | ||
Wallfisch: Gilbert's Theme | Yuja Wang, Benjamin Wallfisch | F Major | 1 | 7B | 83 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
The Cat and the Mouse | Aaron Copland, Isata Kanneh-Mason | F♯ Minor | 1 | 11A | 114 BPM | ||
Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | ||
Feuilles D'automne, Op. 146 - Due-Art 066 Br | Cécile Chaminade, Peter Phillips | B Major | 1 | 1B | 103 BPM | ||
III. Andante | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | G Major | 1 | 9B | 101 BPM | ||
Préludes / Book 1, L.117: 1. Danseuses de Delphes | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 92 BPM | ||
La Belle et la Bête - Arr. for Piano duet: VI. La confiance de la Bête | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 0 | 7B | 107 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: IV. Allegro animato e grazioso | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 2 | 6B | 106 BPM |
Section: 0.6606371402740479
End: 0.6652982234954834