"Les enfants terribles - Arr. for Piano duet by Michael Riesman: 3. The Somnambulist" by Philip Glass, Katia & Marielle Labèque was released on October 23, 2020. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, Katia & Marielle Labèque's "Les enfants terribles" album is number 3 out of 13. Based on our statistics, Les enfants terribles - Arr. for Piano duet by Michael Riesman: 3. The Somnambulist's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les enfants terribles - Arr. for Piano duet by Michael Riesman: 3. The Somnambulist by Philip Glass, Katia & Marielle Labèque to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pärt: Summa | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Minor | 2 | 6A | 105 BPM | ||
Nocturne in B Minor, Op. post., Lento con gran espressione (Arr. for Cello and Piano by M. Maisky) | Frédéric Chopin, Camille Thomas, Julien Brocal | B Minor | 1 | 10A | 87 BPM | ||
Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 74 BPM | ||
Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax | A♭ Major | 0 | 4B | 81 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6 in G Minor, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Nikolai Lugansky | G Minor | 0 | 6A | 170 BPM | ||
Gavotte et six doubles, RCT 5/7: Gavotte | Jean-Philippe Rameau, Bruce Liu | A Minor | 0 | 8A | 146 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Au tombeau de Rachmaninoff | Vladimir Drozdoff, Giuseppe Devastato | E♭ Minor | 0 | 2A | 66 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |
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