Hans Christian Lumbye, Tivoli Symphony Orchestra made "Kong Christian D. 9.'s Honnørmarch (1864)" available on December 10, 1997. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 4 out of 16. In terms of popularity, Kong Christian D. 9.'s Honnørmarch (1864) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Kong Christian D. 9.'s Honnørmarch (1864) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waterloo: Andante eroico - Tempo di Valzer - | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | C Major | 2 | 8B | 67 BPM | ||
Symphonic Poem "Power of Zhangjiajie Nature"Op. 5. | Taras Kutsenko | A Major | 5 | 11B | 116 BPM | ||
The Portuguese Washerwoman | Percy Faith | G Major | 4 | 9B | 173 BPM | ||
Pariser Einzugsmarsch | Johann Heinrich Walch, The Admiralty Band of Leningrad Naval Base, Valentin Lyashchenko | E♭ Major | 3 | 5B | 89 BPM | ||
La Tempestad, Acto I: Preludio - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Orquesta De Camara De Madrid, Ataúlfo Argenta, Jose Perera | A♭ Major | 2 | 4B | 102 BPM | ||
Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt) | Sir Henry Wood, BBC Concert Orchestra, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
The Thieving Magpie: Maestoso marziale | Gioachino Rossini, David Parry, Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | ||
Sadness Waltz: Vemods vals (La resignation, Sadness Waltz) | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 2 | 12B | 154 BPM | ||
Fuglen | Simon Kvamm, Troels Gustavsen, Tivoli Symphony Orchestra | D Minor | 1 | 7A | 73 BPM |
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