Johann Sebastian Bach, RIAS Kammerchor, Werner Güra, Johannes Schendel, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs's 'St. John Passion, BWV 245, Part 2: No. 18a, Rezitativ and Chorus "Da sprach Pilatus zu ihm" (Evangelist, Pilatus, Jesus) - No. 18b, "Nicht diesen, sondern Barrabam!" (Turba) - No. 18c, "Barrabas aber war ein Mörder!" (Evengelist)' came out on March 25, 2016. With St. John Passion, BWV 245, Part 2: No. 18a, Rezitativ and Chorus "Da sprach Pilatus zu ihm" (Evangelist, Pilatus, Jesus) - No. 18b, "Nicht diesen, sondern Barrabam!" (Turba) - No. 18c, "Barrabas aber war ein Mörder!" (Evengelist) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 45 in Bach: St John Passion, BWV 245 (Johannes-Passion) [Deluxe Edition] by Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of St. John Passion, BWV 245, Part 2: No. 18a, Rezitativ and Chorus "Da sprach Pilatus zu ihm" (Evangelist, Pilatus, Jesus) - No. 18b, "Nicht diesen, sondern Barrabam!" (Turba) - No. 18c, "Barrabas aber war ein Mörder!" (Evengelist) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, BWV 245, Part 2: No. 18a, Rezitativ and Chorus "Da sprach Pilatus zu ihm" (Evangelist, Pilatus, Jesus) - No. 18b, "Nicht diesen, sondern Barrabam!" (Turba) - No. 18c, "Barrabas aber war ein Mörder!" (Evengelist) by Johann Sebastian Bach, RIAS Kammerchor, Werner Güra, Johannes Schendel, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs is Prestissimo (even faster than presto), since this song has a tempo of 202 BPM. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Section: 0.7217888832092285
End: 0.7264487743377686