- BPM
- 62
- Key
- D♭ Major
- Camelot
- 3B
Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information
- Acousticness
- 53%
- Danceability
- 60%
- Energy
- 26%
- Instrumentalness
- 0%
- Liveness
- 62%
- Loudness
- 61%
- Speechiness
- 96%
- Valence
- 72%
- Popularity
- 0%
- Loudness
- -23.672 dB
Summary
David Allen, Jürgen Kalwa made "Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:01. Based on our data, "Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 30 out of 210. Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM
We consider the tempo marking of Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lucia di Lammermoor, Act I: La pietade in suo favore | Gaetano Donizetti, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | |
 | La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | |
 | Romeo and Juliette, Act III: Le Duc! Le Duc! | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | |
 | Puccini: Turandot, Act 2: "Figlio del cielo!" (Turandot, Altoum, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 3 | 6A | 80 BPM | |
 | Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | |
 | Puts: The Hours, Act 1: "Oh! A Reminder, Ma’am, Your Sister's Coming at Two" (Nelly, Virginia, Richie, Laura, Kitty, Chorus, Angelica, Quentin, Julian, Man Under the Arch) [Live] | Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Eve Gigliotti, John Holiday, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Lena Josephine Marano, Metropolitan Opera Chorus, Patrick Scott McDermott, Sylvia D'Eramo, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | |
 | Il Pirata, Act I: Sì vincemmo | Vincenzo Bellini, Felice Romani, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | |
 | Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | |
 | Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | |
 | Macbeth: La luce langue | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra | E♭ Major | 4 | 5B | 96 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9662032127380371
End: 0.9704837799072266