"Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: La Speranza amoroso" by Christoph Graupner, Ars Antiqua Austria, Gunar Letzbor was released on May 25, 2012. Since Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: La Speranza amoroso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christoph Graupner, Ars Antiqua Austria, Gunar Letzbor's "Graupner: Chalumeaux - Concertos, ouvertures & sonatas" album is number 14 out of 24. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: La Speranza amoroso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: La Speranza amoroso by Christoph Graupner, Ars Antiqua Austria, Gunar Letzbor to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 2 in B-Flat major , QV 1:162:, QV 1:162: II. Allegretto | Johann Joachim Quantz, Claudio Ferrarini, Accademia Farnese | B♭ Major | 4 | 6B | 146 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Overture (Suite) in C Major, GWV 409: III. Polonaise | Christoph Graupner, Hans Rudolf Stalder, Heinz Hofer, Elmar Schmid, Cappella Coloniensis, Hans-Martin Linde | A Major | 2 | 11B | 108 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Symphony No. 21 in A Major, Hob. I:21: I. Adagio | Joseph Haydn, Johannes Klumpp, Heidelberg Symphony Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM |
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