"Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Stabant autem juxta crucem Jesu mater ejus"" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Krystian Adam had its release date on 2009. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "St John Passion". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Belgium. Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Stabant autem juxta crucem Jesu mater ejus" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Stabant autem juxta crucem Jesu mater ejus" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Krystian Adam having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Francesco di Sales, Pt. 2: Serbi l'ardire istesso | Francesco Feo, Monica Piccinini, Luca Tittoto, Stuttgart Chamber Orchestra | B Minor | 1 | 10A | 177 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Part I. Overture in E minor: IV. Loure | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 90 BPM | ||
St John Passion: The High Priest Questions Jesus | Francesco Feo, La Divina Armonia, Lorenzo Ghielmi | E♭ Major | 1 | 5B | 123 BPM | ||
Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | B♭ Major | 1 | 6B | 69 BPM | ||
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Stabat Mater RV 621: V. Quis non posset | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | C Minor | 1 | 5A | 71 BPM |