"Amleto, Titta Ruffo: Act V- " Come il romito fior"" by Titta Ruffo was released on November 30, 2010. The duration of Amleto, Titta Ruffo: Act V- " Come il romito fior" is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Amleto, Titta Ruffo: Act V- " Come il romito fior"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #14. Based on our statistics, Amleto, Titta Ruffo: Act V- " Come il romito fior"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amleto, Titta Ruffo: Act V- " Come il romito fior" by Titta Ruffo having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 217 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Il pallor funesto, orrendo" (Enrico, Lucia) | Gaetano Donizetti, Maria Callas, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | G Major | 2 | 9B | 81 BPM | ||
Credo in un Dio crudel (Otello) | Titta Ruffo | C Major | 1 | 8B | 93 BPM | ||
Lucia di Lammermoor, Act II: Ah! cedi, cedi | Gaetano Donizetti, Andrea Bocelli, Mariano Buccino, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 2 | 7B | 101 BPM | ||
L'assedio di Corinto / Giusto ciel: L'ora fatal s’apressa | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Ave Maria - After Johann Sebastian Bach's Well Tempered Clavier, Book 1, Prelude No. 1, BWV 846 | Charles Gounod, Ann Dominique Merlet, Carlo Ciabrini | G Major | 3 | 9B | 106 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Mefistofele, Act III: L'altra notte in fondo al mare | Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D Major | 0 | 10B | 78 BPM |
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