Holland Boys Choir, Netherlands Bach Collegium, Frank Wakelkamp, Marjon Strijk, Knut Schoch, Johann Sebastian Bach, Vaughan Schlepp, Sytse Buwalda, Pieter Jan Leusink's 'I. Du Hirte Israel, Höre BWV 104, (2) Recitativo (Tenore): Der Höchste Hirte Sorgt Vor Mich' came out on December 20, 2006. With I. Du Hirte Israel, Höre BWV 104, (2) Recitativo (Tenore): Der Höchste Hirte Sorgt Vor Mich being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 17 in Bach Cantatas (Complete) Part: 44 by Holland Boys Choir, Netherlands Bach Collegium. In terms of popularity, I. Du Hirte Israel, Höre BWV 104, (2) Recitativo (Tenore): Der Höchste Hirte Sorgt Vor Mich is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I. Du Hirte Israel, Höre BWV 104, (2) Recitativo (Tenore): Der Höchste Hirte Sorgt Vor Mich by Holland Boys Choir, Netherlands Bach Collegium, Frank Wakelkamp, Marjon Strijk, Knut Schoch, Johann Sebastian Bach, Vaughan Schlepp, Sytse Buwalda, Pieter Jan Leusink is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Pieces de clavecin: Suite in A Minor - major: II. Allemande I | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Suite in E Major, P.434: V. Gyque | Johann Pachelbel, Simone Stella | E♭ Major | 2 | 5B | 0 BPM | ||
German Mass, D.872: Appendix: The Lord's Prayer | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D♭ Major | 3 | 3B | 112 BPM | ||
Un Cane In Chiesa | Alessandro Gozzo, Cats Rule the World | F Minor | 1 | 4A | 74 BPM | ||
Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 97 BPM | ||
The Lord is a sun and a shield: No. 3, Chorus "For the king trusteth in the Lord" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 84 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): IV. Menuet en trio | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": IV. A tempo moderato. "Sagt es, die ihr erlöst seid" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | C Major | 0 | 8B | 86 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 15 in G major, BWV 860 | Luc Beauséjour | F♯ Major | 5 | 2B | 86 BPM |
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