Classical Coterie made "The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 10 in E Minor, BWV 855" available on September 7, 2020. With The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 10 in E Minor, BWV 855 being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Classical Coterie's "Johann Sebastian Bach: The Well-Tempered Clavier, Book 1, WV 846-869" album is number 19 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 10 in E Minor, BWV 855's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 10 in E Minor, BWV 855 by Classical Coterie to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vocalise, Op. 34 No. 14 (Arr. for Violin and Piano) | Sergei Rachmaninoff, Lisa Batiashvili, Hélène Grimaud | E Minor | 0 | 9A | 130 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Valse Melancolique No. 9 in G Sharp Minor | Carlos Marquez | A♭ Minor | 2 | 1A | 96 BPM | ||
Papillons, Op. 2: V. Waltz | Classical Coterie | C Major | 0 | 8B | 112 BPM | ||
9 Preludes, “Mythical Creature Chronicles”: No. 4, The Azeban | Milo Paulus | G Minor | 0 | 6A | 77 BPM | ||
Piano Sonata no. 1 in Fm, Op. 2 no. 1 - I. Allegro | Famous Classic Piano | G Minor | 3 | 6A | 114 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
Norske folkeviser og folkedanse, Op. 33 (Excerpts): No. 6, Springdans | Agathe Backer Grøndahl, Sara Aimée Smiseth | A Major | 1 | 11B | 73 BPM | ||
Russian Romance | Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko | F Major | 0 | 7B | 66 BPM | ||
Valse Melancolique No. 10 in A Minor | Carlos Marquez | A Minor | 1 | 8A | 80 BPM |
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