Fernando Sor, Enea Leone's '24 Progressive Lessons, Op. 31: No. 17, Andantino' came out on August 8, 2014. With 24 Progressive Lessons, Op. 31: No. 17, Andantino being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, 24 Progressive Lessons, Op. 31: No. 17, Andantino's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Progressive Lessons, Op. 31: No. 17, Andantino by Fernando Sor, Enea Leone having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dance | Catharina Josepha Pratten, Heike Matthiesen | D Major | 1 | 10B | 131 BPM | ||
Suite espagnole, Op. 47: II. Cataluña | Isaac Albéniz, Thibault Cauvin | G Minor | 2 | 6A | 71 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Reverie nocturne, Op. 19 | Giulio Regondi, Johannes Möller | D Major | 1 | 10B | 142 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
Cataluña | Isaac Albéniz, David Russell | E Minor | 0 | 9A | 80 BPM | ||
24 Caprices, Op. 1: No. 9 in E Major (arr. for guitar) | Niccolò Paganini, Gerald Garcia | E Major | 1 | 12B | 132 BPM | ||
Waltzes, Op. 8: Vals, Op. 8, No. 3 | Jason Vieaux | D Minor | 1 | 7A | 111 BPM | ||
Se ela preguntar - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Minor | 0 | 9A | 66 BPM |
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