"Concerti a più istrumenti in D Major, Op. 6 No. 8, II. Largo" by Evaristo Felice Dall'Abaco, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti, Alberto Rasi was released on October 23, 2008. With Concerti a più istrumenti in D Major, Op. 6 No. 8, II. Largo being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerti a più istrumenti in D Major, Op. 6 No. 8, II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in D Major, Op. 6 No. 8, II. Largo by Evaristo Felice Dall'Abaco, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | B Minor | 1 | 10A | 100 BPM | ||
Concerto No. 1 in D Minor, Op. 2 No. 1: IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Alberto Rasi | E Major | 5 | 12B | 114 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Allegro | Cologne Chamber Orchestra | C Major | 2 | 8B | 125 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
The Fairy Queen, Z. 629, Act I: Rondeau | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | A Major | 1 | 11B | 154 BPM | ||
Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato | Antonio Caldara, Bárbara Sela, Carlos Garcia-Bernalt, University of Salamanca Baroque Orchestra, Angel Sampedro | A♭ Minor | 3 | 1A | 120 BPM | ||
Sammartini: Recorder Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 11 (Larghetto) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: I. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | D♭ Minor | 3 | 12A | 81 BPM |
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